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Nashville Shows & Expos

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NashvilleNashville - Paint Made Flesh
January 23–May 10, 2009
   Paint Made Flesh presents paintings created in Europe and the United States since the 1950s in which a wide range of painterly effects suggest the carnal properties and cultural significance of human flesh and skin. As a revisionist study of post-World War II art, the exhibition offers a rejoinder to the modernist orthodoxies of the mid-to-late 20th century by contending that paint’s material properties make it well suited to convey metaphors of human vulnerability. The exhibition includes works by Pablo Picasso, Francis Bacon, Lucian Freud, Willem de Kooning, Alice Neel, Leon Golub, Philip Guston, Eric Fischl, Georg Baselitz, Jenny Saville, Wangechi Mutu, John Currin, Cecily Brown, Daniel Richter, and others. 

The exhibition is organized by the Frist Center for the Visual Arts by Mark Scala, chief curator at the Frist Center. 

Accompanying the exhibition will be a full-color illustrated exhibition catalogue, published by Vanderbilt University Press, with essays by Mark Scala and Susan H. Edwards, Ph.D., executive director and CEO of the Frist Center, as well as by noted scholars Emily Braun, Ph.D., professor of art history at Hunter College (New York, N.Y.) and Richard Shiff, Ph.D., professor of art history at the University of Texas at Austin. 

Paint Made Flesh January 23–May 10, 2009 Paint Made Flesh presents paintings created in Europe and the United States since the 1950s in which a wide range of painterly effects suggest the carnal properties and cultural significance of human flesh and skin. As a revisionist study of post-World War II art, the exhibition offers a rejoinder to the modernist orthodoxies of the mid-to-late 20th century by contending that paint’s material properties make it well suited to convey metaphors of human vulnerability. The exhibition includes works by Pablo Picasso, Francis Bacon, Lucian Freud, Willem de Kooning, Alice Neel, Leon Golub, Philip Guston, Eric Fischl, Georg Baselitz, Jenny Saville, Wangechi Mutu, John Currin, Cecily Brown, Daniel Richter, and others. The exhibition is organized by the Frist Center for the Visual Arts by Mark Scala, chief curator at the Frist Center. Accompanying the exhibition will be a full-color illustrated exhibition catalogue, published by Vanderbilt University Press, with essays by Mark Scala and Susan H. Edwards, Ph.D., executive director and CEO of the Frist Center, as well as by noted scholars Emily Braun, Ph.D., professor of art history at Hunter College (New York, N.Y.) and Richard Shiff, Ph.D., professor of art history at the University of Texas at Austin. n/an/a
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NashvilleNashville - Seeing Ourselves 
Photographs of Safe Haven
January 9–May 3, 2009
   
In April 2008, the Frist Center for the Visual Arts partnered with Safe Haven Family Shelter to provide an opportunity for cultural enrichment through a community art program offered to its residents. Local photographer Allen Clark and the Frist Center's outreach educators led participants, who ranged in age from three to sixty-five years, in a two-week photography workshop, during which they learned about composition, visual storytelling, and photographic technique. Writing exercises and preliminary drawings helped residents form ideas for images that reflected their thoughts about their lives. On the final day of the workshop, each resident was provided with a Holga 120N camera and invited to capture the compositions they had planned. 

Safe Haven is the only shelter in middle Tennessee that provides both interim housing and job training, thereby empowering homeless families with children to live independently. The photographs selected for Seeing Ourselves represent life patterns and happenings that are experienced by people living in a variety of circumstances. Instead of simply documenting the conditions of homelessness, the images remind us that we all share common hopes, dreams, and goals. 
Seeing Ourselves Photographs of Safe Haven January 9–May 3, 2009 In April 2008, the Frist Center for the Visual Arts partnered with Safe Haven Family Shelter to provide an opportunity for cultural enrichment through a community art program offered to its residents. Local photographer Allen Clark and the Frist Center's outreach educators led participants, who ranged in age from three to sixty-five years, in a two-week photography workshop, during which they learned about composition, visual storytelling, and photographic technique. Writing exercises and preliminary drawings helped residents form ideas for images that reflected their thoughts about their lives. On the final day of the workshop, each resident was provided with a Holga 120N camera and invited to capture the compositions they had planned. Safe Haven is the only shelter in middle Tennessee that provides both interim housing and job training, thereby empowering homeless families with children to live independently. The photographs selected for Seeing Ourselves represent life patterns and happenings that are experienced by people living in a variety of circumstances. Instead of simply documenting the conditions of homelessness, the images remind us that we all share common hopes, dreams, and goals. n/an/a
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